Short answer

Consider the 'lived' qualities of objects – their agency, their capacity to evoke emotion, and their role in constructing meaning – as integral to the design process, moving beyond purely functional considerations.

Field
Classic Design
Source
Työväentutkimus Vuosikirja (2018)
Method
Literary analysis
Evidence
Moderate effect

Material objects in design can embody agency and evoke affective responses, shaping user experience and meaning-making in ways analogous to their portrayal in modernist literature. This classic design research insight is drawn from a 2018 study published in Työväentutkimus Vuosikirja. Using Literary analysis, researchers explored how this design variable affects real-world outcomes. The key design takeaway: Consider the 'lived' qualities of objects – their agency, their capacity to evoke emotion, and their role in constructing meaning – as integral to the design process, moving beyond purely functional considerations.

Study
Classic DesignHigh ImpactModerate effect

Objects as Storytellers: Unpacking Meaning and Affect in Design Through Literary Analysis

Material objects in design can embody agency and evoke affective responses, shaping user experience and meaning-making in ways analogous to their portrayal in modernist literature.

Työväentutkimus Vuosikirja · 2018

01

Key Findings

  • 01Material objects in literature possess agency and actively contribute to narrative interpretation and affective response.
  • 02The embodied, affective experience of interacting with material things is central to how readers engage with and derive meaning from stories.
  • 03Literary depictions of objects can illuminate sociocultural interpretations related to commodification, marginality, and power relations.
02

Application

Design takeaway

Consider the 'lived' qualities of objects – their agency, their capacity to evoke emotion, and their role in constructing meaning – as integral to the design process, moving beyond purely functional considerations.

How to apply

When designing, consider the stories your objects tell. What emotions do they evoke? What values do they represent? How do they interact with the user's sense of self and their environment?

Project actions

  • 01When documenting your design process, reflect on how the materials and forms you choose might evoke specific emotions or associations for the user.
  • 02Consider how your design might be perceived not just functionally, but also as a 'character' within the user's daily life.
03

Method & Evidence

AimHow can literary analysis of modernist fiction reveal the 'lived' qualities of material objects and their impact on human affect and meaning-making, offering insights for design practice?
MethodLiterary analysis
ProcedureThe study analyzes the portrayal of material objects in the short fiction of Djuna Barnes and Jean Rhys, examining their roles in evoking spatiality, temporality, fictional agency, and literary affectivity. It draws on theories of embodied cognitive narratology, phenomenology, and new materialism to explore the entanglement of material and cultural values with embodied experiences.
ContextLiterary studies, modernist fiction, material culture

Variables

IVLiterary portrayal of material objects
DVEvocation of spatiality, temporality, agency, affect, and meaning
04

Strengths & Limitations

Strengths

  • +Provides a novel approach to understanding design through literary theory.
  • +Highlights the often-overlooked emotional and symbolic dimensions of material objects.

Limitations

The subjective nature of literary interpretation and user affect can make direct measurement challenging. The specific cultural context of the analysed literature may not perfectly align with contemporary design contexts.

Reliability & validity

The reliability and validity of literary analysis are debated; however, the study's strength lies in its theoretical framework and consistent application of interpretive methods. For design application, empirical user studies would be needed to establish reliability and validity.

Think critically

To what extent can the 'agency' attributed to objects in literary works be directly translated into the design of functional products, and what are the ethical considerations of designing objects intended to strongly influence user affect?

05

Design Principles

"Objects are active participants in human experience, capable of conveying meaning and eliciting affect."

Understanding how everyday objects, from furniture to clothing, carry cultural weight and elicit emotional connections can inform designers in creating more resonant and meaningful products. This perspective encourages a deeper consideration of the object's role beyond mere function, exploring its potential to communicate values and influence user perception.

06

What This Means for Your Design

Just like in stories, the things we design can have their own 'personalities' and make us feel certain ways, helping us understand the world and ourselves better.

How to use in your project

  • 1.Reference this study when discussing the emotional or symbolic impact of your design choices, particularly if you've intentionally used materials or forms to evoke specific feelings or meanings.
07

Add to My Project

08

Quick Cite

Paragraph starter

The analysis of modernist literature by Oulanne (2018) highlights how material objects can possess 'agency' and evoke significant affective responses, shaping user interpretation and meaning-making. This perspective suggests that designed artifacts can similarly transcend mere functionality to become active participants in a user's experience, influencing their emotional state and understanding of the world.

09

Source

Työväentutkimus Vuosikirja

Lived Things: Materialities of Agency, Affect, and Meaning in the Short Fiction of Djuna Barnes and Jean Rhys

journal · 2018

View source

Questions About This Research

What does the research say about objects as storytellers: unpacking meaning and affect in design through literary analysis?
Consider the 'lived' qualities of objects – their agency, their capacity to evoke emotion, and their role in constructing meaning – as integral to the design process, moving beyond purely functional considerations. Evidence: Työväentutkimus Vuosikirja (2018).
Why does "Objects as Storytellers: Unpacking Meaning and Affect in Design Through Literary Analysis" matter for design?
Understanding how everyday objects, from furniture to clothing, carry cultural weight and elicit emotional connections can inform designers in creating more resonant and meaningful products. This perspective encourages a deeper consideration of the object's role beyond mere function, exploring its potential to communicate values and influence user perception.
How can designers apply this research?
Consider the 'lived' qualities of objects – their agency, their capacity to evoke emotion, and their role in constructing meaning – as integral to the design process, moving beyond purely functional considerations.
What were the main findings?
Material objects in literature possess agency and actively contribute to narrative interpretation and affective response.. The embodied, affective experience of interacting with material things is central to how readers engage with and derive meaning from stories.. Literary depictions of objects can illuminate sociocultural interpretations related to commodification, marginality, and power relations.
What research method was used?
Literary analysis.
How strong is the evidence?
Evidence strength is rated Moderate effect, based on a 2018 journal from Työväentutkimus Vuosikirja.
What should I do differently in my next project?
When designing, consider the stories your objects tell. What emotions do they evoke? What values do they represent? How do they interact with the user's sense of self and their environment?
What are the limitations?
The findings are derived from literary analysis and may require empirical validation within design contexts. The specific cultural and historical context of modernist literature may not directly translate to all contemporary design scenarios.